April 13, 2016 Review: Tom Cruise tones it down in visually stunning 'Oblivion' “Oblivion” is a spectacular science fiction movie... until it isn’t.
April 13, 2016 '2 Guns' review: Humor-laced action flick a fun, modern-day '48 Hours' Denzel Washington and Mark Wahlberg’s buddy action-comedy “2 Guns” is an unexpected dog-days-of-summer surprise.
April 13, 2016 'Red 2' Review: Anthony Hopkins shines in rare sequel that's better than original Now that the joke of aging and retired assassins is behind us, having been successfully played out in “Red”, “Red 2” is able to move beyond its initial concept and allow this mighty talented cast to really flex their comedic muscles in a sequel that just slightly surpasses the original.
April 13, 2016 'DWTS' judge draws Twitter outrage after giving Kellie Pickler low score in week 8 Olympic gymnast Alexandra Raisman, Kellie Pickler and Zendaya Coleman made the top three in "Dancing With the Stars" week eight.
April 13, 2016 'Gravity' review: There has never before been a movie like this “Gravity” is definitely an experience – an event – and whether or not that lasts, as of right now, there’s just nothing else like it. And that is a rare treat at the movies.
April 13, 2016 'August: Osage County' review: Dark drama is a must-see Everyone rubbernecks at an accident hoping to get a quick peek at the wreckage, and that’s exactly what Tracy Letts’ “August: Osage County” preys on. This is dark, deliciously entertaining drama that will make you thankful you’re not a member of this Weston family. A must-see!
April 12, 2016 'Labor Day' review: It is definitely not a fun family flick Haven’t they learned anything from Disney’s “Frozen?”
April 12, 2016 ‘Non-Stop’ movie tells an entertaining, yet implausible, story This is angry Liam Neeson doing what he does best.
April 12, 2016 Review: Melissa McCarthy saves 'Tammy' McCarthy shows a stronger range as Tammy than any previous performance
April 12, 2016 Julianne Moore may enter the Oscar race with 'Still Alice' Overall “Still Alice” feels rather incomplete, but the blemishes are overshadowed by some tender and potent moments, a lovely score by Ilan Eshkeri and Julianne Moore’s fantastic performance.
