EXCLUSIVE: Former 'Apprentice' star picked by Trump to showcase America's 250th anniversary through art

WASHINGTON — Nearly two decades after hearing "You're fired!" on NBC's "The Apprentice," Erin Scavino says President Donald Trump chose her to lead one of the federal government's least-known offices as it helps tell America's story to celebrate the nation's 250th anniversary.

Scavino, director of the State Department's Art in Embassies program, told Fox News Digital in an exclusive interview inside the Art Museum of the Americas that she never imagined she'd go from reality TV to overseeing one of the Trump administration's signature America 250 cultural initiatives.

She said she views her appointment as part of Trump's broader effort to elevate American culture alongside American history ahead of the nation's 250th anniversary.

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"I was a day one hire by President Trump because just like we've seen with the Kennedy Center, he wanted to make the performing arts great again, and he also put me at Art in Embassies to make visual arts great," Scavino said.

Although little known to most Americans, the Art in Embassies office has existed since 1964, placing American artwork in nearly 190 diplomatic properties around the world as a form of cultural diplomacy.

Scavino said the nation's 250th anniversary offered an opportunity to introduce the program to a broader audience.

Opening July 30 at the Art Museum of the Americas, "Passport to Patriotism: 250 Years of Diplomacy" will bring together more than 30 contemporary American artists whose work explores patriotism, diplomacy, military service, immigration and national identity in what organizers describe as a celebration of the ideals that have shaped the U.S. since its founding.

The exhibition, presented through a partnership between the State Department's Office of Art in Embassies and the American Arts Conservancy, will be free to the public through Oct. 18.

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The exhibition spans dozens of contemporary works exploring patriotism through photography, painting, sculpture and fashion, with each gallery approaching the American story from a different perspective.

Among the featured works is "Gallantly Streaming" by acclaimed artist Barbara Ernst Prey, a sweeping interpretation of the American flag that anchors the exhibition's exploration of national identity.

Internationally recognized pop artist Romero Britto also reimagines the Statue of Liberty in his signature bold palette for the exhibit, layering vibrant colors against the Stars and Stripes to celebrate what Scavino described as the enduring promise of the American dream.

The exhibit will feature a powerful series of photographs by Korina Marie Moore, whose images capture moments of military service through a deeply personal lens. Rather than focusing solely on combat, Moore's photographs spotlight the men and women who serve — from sailors gathered around a U.S. Navy vessel to service members standing watch as the Statue of Liberty rises across New York Harbor and the solemnity of Arlington National Cemetery.

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Visitors will also encounter an America 250 haute couture gown created specifically for the nation's semiquincentennial celebration, inspired by Betsy's Ross' flag.

For Scavino, the exhibit represents the latest chapter in a career that unexpectedly led from "The Apprentice" to the Trump administration. Looking back on that journey, she said there has been one constant.

"The common thread throughout all of this is President Trump," Scavino said. "That's why I always thank him so much for these great opportunities."

Scavino says the opportunity has opened her eyes to the people behind the offices.

"Every time you learn about someone's job, you're actually understanding a whole new universe," she said. "That's what's really special about the State Department."

"People often think [the State Department is] really serious, and yes, of course, there's so much diplomacy and so many very serious things that are going on," Scavino said. "But there are so many interesting components, like Art in Embassies."

"This isn't something that was created for me," she added. "Art in Embassies has been around since 1964 under President Kennedy... Every time you learn about someone's job, you're actually understanding a whole new universe."

Scavino said one of her goals was to create an exhibition that feels welcoming to visitors who might never consider themselves "art people."

"Art has become sort of a gatekeeping situation or something that's only for the rich or the elite," she said. "I wanted to say, 'Hey, no. We want kids. We want grandparents. We want moms. We want families. We want dads. We want people all over the world to come to this museum because there is something for everyone.'"

Each artwork includes QR codes allowing visitors to hear directly from artists about their work and creative process, an effort Scavino said makes the exhibit more approachable.

"You don't have to have your nose in the air saying, 'Oh, that Monet' or 'That Degas,'" she said. "You're going to see a flag. You're going to see a sculpture. You're going to hear Americans tell their stories."

Scavino pointed to Romero Britto's colorful Statue of Liberty piece, "Liberty for All," as one example of the American dream reflected throughout the exhibit.

"When I think about his hearts or his Statue of Liberty, it just makes me think about the American dream," she said. "He is so patriotic and he loves this country."

"There are so many stories that are often overlooked," Scavino said. "We show pictures of loss. We show people that have lost their lives for this nation. We show people who are celebrating serving our country... I think that we have to honor those who have served."

One of the exhibition's most unexpected pieces isn't a painting or sculpture — it's a couture gown inspired by Betsy Ross' American flag.

Scavino said the idea came while she was searching for a wedding dress ahead of her February wedding to fellow Trump administration official Dan Scavino at Mar-a-Lago, when she discovered designer Kate Wasserbach Moore, whose appreciation for American history sparked an unusual collaboration.

"I cold-called her out of the blue and said, 'Can you create a dress that looks like something one of the wives of our Founding Fathers would have worn and make it patriotic?'" Scavino recalled.

The finished design, featuring flowing red-and-white accents inspired by Betsy Ross' flag, was created for the exhibition rather than the aisle, adding fashion to a collection that otherwise spans photography, painting and sculpture.

"To me, patriotic, red, white and blue, and also fashion—how much better does it get for a girl?" Scavino said.

Although Art in Embassies typically works overseas, Scavino said creating a major public exhibition in Washington had been one of her goals since taking over the office.

"I started with a dream because Art in Embassies is generally overseas," she said. "I wanted to do something, to start a footprint here in the United States."

That idea quickly gained momentum.

"The Art Museum of the Americas said yes," Scavino recalled. "And the second surprise was that I unfortunately don't have enough space for everyone. So many people generously wanted to participate."

For Scavino, the exhibition is ultimately less about individual works than the conversations they may inspire.

"What I love about art is it's totally different from politics," she said. "You can get in the door by talking about art... and maybe instead of tear down, we can come together."

She said that's especially important because, for many people overseas, an American embassy may be their first — and sometimes only — connection to the United States.

"Sometimes in these small nations that are so foreign to us, the only touchpoint they have to America is our embassy and our ambassador," Scavino said. "So it is so much more important than I ever thought it would be."

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Scavino hopes visitors leave with a deeper appreciation not only for the artwork, but for the stories it tells about the nation it represents.

"You only get to celebrate 250 years once," she said. "So let art be a way of celebration."