Published September 24, 2012
TEHRAN, Iran – An Iranian official said Monday his country should boycott the 2013 Oscars and not field a candidate for the foreign film category in the wake of the anti-Islam video that was made in the United States and that denigrates the Prophet Muhammad.
Javad Shamaghdari, head of the government-controlled cinema agency, said Iran should "avoid" the Hollywood festival. He is quoted by the semi-official Mehr news agency as urging the committee in charge of selecting Iran's choice to take a step back.
The committee, which works under the cinema agency, already picked "Ye Habbeh Ghand," or "A Cube of Sugar" -- a film about a family wedding turning into a funeral when the groom's relative dies -- to run for best foreign film.
The government has still to endorse the selection for it to become official.
Shamaghdari said the Oscars should be boycotted until the organizers denounce the anti-Islam film entitled "Innocence of Muslims," which has prompted outrage among Muslims around the world. At least 51 people, including the U.S. ambassador to Libya, have been killed in violence linked to protests over the film, which also has renewed debate over freedom of expression in the U.S. and in Europe.
Shamaghdari has in the past been known for his calls to "deprive" Western film festivals of movies made by the Iranian cinema industry.
Iranian director Asghar Farhadi in February won the Oscar for best foreign film for his movie, "A Separation" -- the first such prize for Iran.
Tehran officialdom welcomed the Oscar, especially as Farhadi beat an Israeli film and three others in the foreign language category, describing it as a conquest for Iranian culture and a blow for Israel's perceived outsized influence in America.
But Iranian hard-liners were also upset by the movie's exposure of the troubles in Iranian society through the story of a collapsing marriage.
Iranian authorities have long had an uneasy relationship with the country's filmmakers and influential clerics have often denounced the domestic cinema as dominated by Western-tainted liberals and political dissenters.